This thread is for non-fiction TV, including but not limited to reality television (So You Think You Can Dance, Top Chef: Masters, Project Runway), documentaries (The History Channel, The Discovery Channel), and sundry (Expedition Africa, Mythbusters), et al. [NAFDA]
What kat said.
Also, I think it's pretty clear the judges are observing the personal dynamics, given who they chose to move to the other team. (More to create drama than to spare the original team, I'm assuming.) I wouldn't want the teams to have more say than what they spill on the runway in the ousters. Michael Costello would have been gone from PR in week 2 in that sort of set-up, for example.
It'll be interesting to see what effect the swap has on the two houses next week. Really, with just the one elimination I can't get a feel for how that aspect works for me yet.
Hey, has Bravo(?) done any more seasons of "Make Me A Supermodel"? I really liked that one, it felt more real.
I think what I'm not getting about The Fashion Show is how it's going to work when it gets down to three, or ever four, designers. The competition is going to be pretty fiercely individual at that stage, but they keep talking about the houses and the "ultimate collection."
The houses are going to change as people get eliminated, especially if one house keeps losing designers.
Yeah, it seems at some point they are going to have to let go of the house aspect. But it does add an interesting dynamic to the competition right now.
meara, I think MMaS is caput, which is a shame because I agree that it was in all ways superior to ANTM - better models, better challenges, better judges. And lots of those kids work. I miss that show.
As I recall, as the season progresses, they do some change ups.
And lots of those kids work. I miss that show.
I see Shannon from the second season all the time! And I think I've seen Ronnie, too.
How quickly they went to moving contestants between houses makes me think they have plans for when there ar fewer designers that I will be fine with.
It's starting in a minute or two here, brenda.