Yeah, Smallville can sometimes come up with a good idea -- but it doesn't follow through. I don't know whether this is because it is hampered by a high number of beginning actors who don't seem to be catching on -- or if it's the writing or direction or what.
It's HNoBA factor is about the same as Buffy's, and a lot of the core cast (outside of TW and KK) are very talented. However, I think the goal with Smallville is not at all the same as the goal with Buffy, so the Smallville PTB are more than happy with where the show is at. It's popular with both critics and the audience, gets praises sung and rung for the wholesome factor, and with the combination of a more episodic formula and broader plot brush strokes, it has a wider general appeal than Buffy.
The ideas won't ever be exceptionally daring or go to the Hard Places in the same way that BtVS, because that's counter to the Smallville raison d'etre.
Plei: HNoBA ?
Otherwise, I agree, although it makes me sad, because there's so much potential in the concept.
Question: What are the 3 ways that the scythe kills mosters? The axe-thing, the stake, and what else? I thought Buffy said 3 at some point.
Debet, it scares me that I figured this out, but: HNoBA=high number of beginning actors
My main distinction between Buffy and Smallville would be that Buffy was good.
I *heart* ita. Such Xander-like economy of word.
Smallville plays it safe in my opinion. I love the show, but it makes me scream every week, although not nearly as much as Alias does. I think it is getting better. The show just has a certain feel to it of them holding back for no good reason.
Breaking from that mold and trying to be funny more than it has been would probably be untrue to the show and seem out of place. 24 doesn't have humor, because it is so action packed and suspenseful it doesn't have time for funny. With all the disposable monsters of the week, it should leave time for the writers to come up with at least some subtle funny one-liners since they don't have to spend a great deal of time on continuity and mytharc ideas.
Right now nothing hits me with the same brilliance of Buffy's run, not even Angel. The closest anything has ever had to making me feel the same way was Firefly. Losing that really hurt.
Last year we had 3 ME shows, this year 1. I thought that the loss I felt for Firefly's cancellation would dissolve over time. It hasn't. Same goes for Buffy. The longer I go without it, the more brilliant it seems in hindsight.
Smallville = new Buffy? NOT EVEN CLOSE...
Did I love Buffy?...does the phrase "best show ever" mean anything to you?
I was in the neighborhood, just couldn't find the house.
The show just has a certain feel to it of them holding back for no good reason.
Continued high ratings = good reason.
I love the show, but it makes me scream every week, although not nearly as much as Alias does.
Watch Alias the way I do: as if it were a strange foreign film with bad overdubbing and very pretty people. You'll be charmed. (Alias is my "just go with it, please check your brain at the door, mmm... Sark" show.)
I think the 3rd way by pressing a button on the handle that sprayed holy water. Also the silly noise it made often times caused vamps to stake themselves in fear.
Am I the only one wondering what will happen to Smallville after they graduate? Will it change it's name to Metropolis or just shift there and keep the same name. I have already noticed a considerable effort by the writers to work in a gradual push for more Metropolis.
I scream at Alias more now because I WANT WILL back...NOW... also if that jackass Vaughn defeats death one more fucking time I will start calling him Darla.
A SCREWDRIVER...A FUCKING SCREWDRIVER!!
Still bitter about that one. Thought he was gone for good then.
Gleebo, it's not like Clark can't just go back whenever he feels like it. It'll be like Gilmore Girls. But I do think that at least one of the non-adults needs to stay in Smallville for it to work. Are they Juniors or Seniors this year?
Big word on the "we don't need no stinking logic" of Alias. There are some shows (unfortunately, Angel fell into this category a lot last year), where it's best to think of events on them only in the context of what happened just before, and not try to bring in larger continuity.
Buffy was continuity porn. Angel's soft core. Alias is a friggin children's book.