(But I've got a funny memory, which makes it infinitely easier to remember details if I've got something to go on. So if you played me a 3 second beginning excerpt of any of them, I'd have a fighting chance of pulling the title and group out of my ass.)

Used to be a lucrative talent, Theo. Anyone remember "Name That Tune?" Plus, in my DJ days, I remember trying to develop this further to id the tune while spinning the turntable by hand when cuing up a record.

I'm really dating myself with those two references, huh.

One way to gain a better understanding of how music is composed and arranged is to try and pick out a particular instrument and listen to just that part. Try and listen to how it differs from and adds to the rest of the composition.

Oh yeah, Sean. It's fun to follow someone from playing a lead to rhythm and back again. I really admire musicians who can do a strong lead, then fall back with the rest of the band and do the accompaniment well. The mandolin part for my non-guitar/non-piano cut has one of my favorite examples of this done well. t /trying not to give too much away.

Very cool about the helicopter effect. What song is this in?

Ken Burn's Jazz documentary helped me quantify some things that I'd never put together before that, plus finally got me over my jazz fright.

Theo, that's interesting - what's something from the doc that got you over the fright thing?

When the Lothars had four theremins, my role was "bass theremin".

Jon, was there specific technique/rhythm/etc. to this that was different from the other theremin parts? Did the different parts equate to other musical ensembles - choral, string band, orchestra, etc?

From the Pernice Brothers newsletter:

t runs off to Smoking Gun.

Jon, was there specific technique/rhythm/etc. to this that was different from the other theremin parts?

I played in a lower range than the others and sometimes played more rhythmically rather than melodically.

Did the different parts equate to other musical ensembles

Hard to say. We used to say that the woman who played guitar and violin was like our drummer because she was the glue that held us together.

<runs off to Smoking Gun.>

Did you hear Jon Stewart's take on Cheney's rider? Salon has the clip: [link]

Alert for Hayden:

Vintage Record Store to be sold at Austin show

New Flaming Lips album.

We used to say that the woman who played guitar and violin was like our drummer because she was the glue that held us together.

I can see how important that would be. Touch on a string is a definite, deliberat beat for the dance of theremin playing. Is there any other instrument that you *don't* touch to play it?

Thanks for the insight, and the Stewart link. I miss him - my new cable co. doesn't carry Comedy Central. (I had CC there, but kept thinking I was talking about our CC)

Is there any other instrument that you *don't* touch to play it?

There are some synths that have an infrared detector, but otherwise none that I can think of. It's one of the defining characteristics of the theremin.

May I mention how much I love "The Beautiful Calliopa" in Jon's set? If this was the kind of music that played on The Banana Splits all the time, I have misunderestimated the series.

Hec, I'm slowly catching up in other threads. Sorry about the job situation, man. The asshats make it hard to live with a little grace.

Oh, I'm having a braino -- what is the Iggy Pop song that quotes from Gershwin's "Summertime"? I can hear him breaking into it, but I can't remember which one it is!

Jon: thanks!

Theo: "Girls"