Buffista Movies 7: Brides for 7 Samurai
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Personally, I loved the idea that
the suits could be remote-controlled. I mean, why not? If the guys on Top Gear can remote-control a full-size car, Stark can remote-control an IM suit through a virtual interface. Plus, all the memory Jarvis had been using to control the Malibu house and all those robots was now available; why not have him* control a small fleet of suits? It's cool.
*Yes, to me Jarvis is a him, not an it.
Yeah, Beau's response is that lessening
IM's role in the suits means that anyone theoretically could control the suits. Why is IM necessary? He felt that Stark's persona as being a brilliant inventor should have been more on display than just the function of the suits.
Warren Ellis was in the credits--I'm pretty sure I saw his name there, and I hadn't been prepped by discussion here.
My assumption was that
Maya's
motive was to
kidnap Pepper and use her as leverage to persuade Tony to do what she
wanted. Did I misread the explanation to
Killian
entirely?
I quite enjoyed it, but I do feel they could have shortened the final fight scene and not skimmed over
what he narrated afterwards
instead. In terms of things happening, and things of import, I felt the it was imbalanced.
LeN--I did drift away during Avengers too, thinking, wow, they're still fighting, and I'm not learning anything new about anyone here.
I just watched Contraband and accept that Mark Wahlberg is a much better actor than I was giving him credit for--the inane guy on talk shows is well-hidden when he dons the garb of working class or lower roughneck.
I give the movie a thumbs up for the Jackson Pollock--I can't not. But, Jesus, talk about erasing all the tension with zero consequence. Yikes. It could have been a kinda dark movie, but it punks out something awful.
I saw IM3 today with amyth and another friend. I loved it on just about every level. I was glad to go into it unspoiled.
I want to see IM3 again just so that I can watch it knowing what movie I'm seeing, if that makes sense. It was quite different from what I was expecting (and I'm not sure what that was) and that can leave me with a bad taste the first time around.
I'm too tired to make any points, but towards the end, things seemed to get . . . derivative? Homages? Rip-offs? There was
the Terminator sequence (you know, the scene after Reece climbs out of the dumpster and he and Sarah cling to each other,
thinking it's over); it felt a lot like Kiss Kiss Bang Bang in some instances, which made me feel a bit awkward about being excited that Shane Black being at the helm, or maybe that was the SB/RDJ combo working against itself. There were a couple of other instances that if felt too much like it was tipping it's hat to other movies instead of trying to be itself, but now I can't recall what.
But I enjoyed it, I just need to watch it again with the correct expectation goggles on.
Once I finally believed that
Ben Kingsley really wasn't the villain, I thought it was hilarious, and it all made sense (the bad accent). Maybe if I hadn't read so many stories involving him I wouldn't have had such a hard time believing the fake-out and it would have played better. As it was, watching his explanations seemed like a bunch of hasty lies, so finally accepting it was a bit lame. BK does the best comedy, though.
Too much white font! Must not read!
I shall see IM3 tomorrow; tonight I saw 42, which although not complicated, was indeed a feel-good movie. Strange to recognize the horribly racist Phillies manager as Alan Tudyk, though. Eww.
My old gym was in IM3! One of the reaction shots where everyone was watching TV, they panned past people on ellipticals and running machines on a mezzanine level, and that was the West LA branch of SportsClub LA.
Ironman rocked. I found the whole film engrossing.
RDJ was as charming as only he can be. All the exchanges between Tony and Harley were fantastic--the "Don't be a pussy" line killed me. The CGI was pretty damn seamless and so the action sequences were very exciting. I really loved the Mandarin reveal and how much FUN Ben Kingsley was having.
Hell, I just loved the movie.
So here's my predictable question: what was
Killian's motive, again?
I get the short term
of covering up explosions so that he could keep working on Extremis,
but what was
the goal in controlling the prez and the Mandarin?
And when he said he didn't need the
president any more, was that because he had Tony?
I have villain-understanding problems, clearly.
I did also get confused by the issue of
power.
Literally. Not literally confused (tho I am), but about literal
electrowhosit power. I mean, if we didn't know Marvel and the studios want to fellate RDJ and that there are more Avengers coming up, I could almost think that this was more of an ending than the last Batman movie (Pepper goes on to fight crime as...Magma? I always liked Magma...sudden pangs of nostalgia, irrelevant, correct course)--didn't the power source for the suits used to be his reactor?
Didn't he even say that in this film? So why, then, the issue with
hooking up 42 (it's the answer!) to a car battery or whatever
for that extended period? Though I guess it makes sense with the events at the tail end of the movie, since if the
reactor were the power source, he couldn't work them any more.
Also, I'd have liked a line explaining
coding the suits--when he explained to Rhodey that there were 41 suits that he couldn't used because they were coded to
him,
has he been coding
them to Pepper all along?
Just this last one (needless to say I cried here--are superhero movies supposed to make you cry, or is that just something I'm aging into)? Will he again? Good thing they're exactly the same
height, no matter what movie magic says--I imagine that would be hard to design around.
Although I get the point of the sequence where Tony has to rely
on things that aren't his suit, I thought he was a little James Bondy there, and it messes things up if he's suddenly Black Widow equivalent, plus as soon as Rhodey showed up his Chuck Norris competence dropped by a few noticeable points.
In the end, did he
fix Pepper's Extremis,
or remove it?