Dude, Where's My Car?
Are you kidding? It's the only other movie besides Barry Lyndon that's lit entirely with candles.
Oz ,'First Date'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Dude, Where's My Car?
Are you kidding? It's the only other movie besides Barry Lyndon that's lit entirely with candles.
Hmmm. I'm not sure I buy that The Shining was about the wipeout of the Native Americans. But it's the kind of media analysis I adore, so I'll keep reading the essay.
I find the discussion about how Ravenous is about the consumption of the wilderness by Manifest Destiny more compelling.
Also, and completely out of left field, has anyone done the Wizard of Oz/Dark Side of the Moon thing? Is that bullshit or does it actually work?
has anyone done the Wizard of Oz/Dark Side of the Moon thing?
yes! In fact I own a copy of the movie synched to the record.
Is that bullshit or does it actually work?
"...One of the things any audio professional will tell you is that the scope for the drift between the video and the record is enormous; it could be anything up to twenty seconds by the time the record's finished. And anyway, if you play any record with the sound turned down on the TV, you will find things that work..."
Plus, in Barry Lyndon, Ryan O'Neal was stoned the entire time.
Finally watched Waitress, today. And Amelie. I found the first one slow going and very nearly turned it off a couple of times before, fortunately, it was done. I guess there's only room for one pie-maker in my life and that's Ned from Pushing Daisies.
Loved, loved, loved Amelie. Loved the colors. Loved Audrey Tatou. Loved Amelie and the way she got revenge on the nasty neighbor and then the vegetable seller. Loved her rich inner life and the fact she finally brought it out to share with others. This is one I'm going to have to get for myself. I don't want to send it back to Netflix.
Amélie is great because it's totally riddled with French clichés, but they ring so true that it's tremendous fun.
I think I'm going to see Tautou's latest (hors de prix) sometime this week.
totally riddled with French clichés
I wouldn't have a clue, but it was still so much fun. I found it charming.
I wouldn't have a clue, but it was still so much fun. I found it charming.Oh, you certainly don't need that to enjoy the film. But Jeunet's first couple of films (though they had a similar visual quality) were quite dark in tone. He basically made Amélie as a love letter to Paris upon his return from his foray into Hollywood filmmaking (with Alien 4).
It definitely showed. I could have spent all day just following around anything he chose to shoot for the film. The settings were as much characters as the people were.
Yes, that's his neighborhood and his love for it shows. Which is incredible, considering how touristy Montmartre is. If you like his visual style, you might want to check out his other stuff ( Delicatessen, City of Lost Children, and A Very Long Engagement). But, again, the themes are much darker. He was set to direct Life of Pi next, but that seems to be on hold, according to IMDB.