Interview with Guillermo del Toro at TORN - where he apparently has been posting.
Every nightmare I have that doesn't revolve around academic failure or public nudity is about that thing. In fact, once I dreamt that it attacked me while I was late for a test and naked.
Willow ,'The Killer In Me'
Buffista Movies 6: lies and videotape
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
sumi - Apr 25, 2008 11:26:22 am PDT #5302 of 10000
Art Crawl!!!
Strega - Apr 25, 2008 11:35:01 am PDT #5303 of 10000
has anyone watched Garth Merengi's Dark Place on Adult Swim?Yes! Well, not on AS, but my Brit correspondent sent me the DVDs a while back. There are in-character commentaries. It's wonderful.
Hayden - Apr 25, 2008 12:15:11 pm PDT #5304 of 10000
aka "The artist formerly known as Corwood Industries."
in-character commentaries
Awesome! Considering the in-show commentaries (such as Merengi detailing all of the appropriate uses of slow-motion to pad out the shows), having another level of in-character commentaries brings the double-meta funny.
Gris - Apr 25, 2008 1:00:12 pm PDT #5305 of 10000
Hey. New board.
I just watched The Holiday, and, as should surprise nobody, I really liked it.
Jack Black at his more likable, Jude Law at his more adorable. And I must say (despite feeling that this must be a controversial opinion) that I always enjoy Cameron Diaz. Kate Winslet as well, though that may be somewhat less controversial.
Anyway, I thought it was extremely cute, if extremely predictable. And it made me very happy. Especially the British kidlets, because if there's anything I love it's adorable British kidlets.
Hmm. Note to self: move to England, fall in love, make cute British kidlets.
megan walker - Apr 25, 2008 1:08:24 pm PDT #5306 of 10000
"What kind of magical sunshine and lollipop world do you live in? Because you need to be medicated."-SFist
Speaking of Jude Law, I forgot to mention I saw My Blueberry Nights this past weekend. What a trainwreck. The acting was pretty decent (except for Norah Jones, who was okay I guess, considering her experience), but the script was so bad. Like, laugh out loud bad. Literally. My friend laughed out loud at one point.
Frankenbuddha - Apr 25, 2008 5:28:58 pm PDT #5307 of 10000
"We are the Goon Squad and we're coming to town...Beep! Beep!" - David Bowie, "Fashion"
Kubrick scrapped the idea of the Overlook as your standard-issue Stephen King bad place that wants you to kill, kill, kill (and, on that note, has anyone watched Garth Merengi's Dark Place on Adult Swim?) in favor of the quieter horror of the world unraveling around a frustrated domestic bully.
Not just any domestic bully, but one who thinks himself a genius. I think Kubrick revealed a lot with this one. Much as he did in Full Metal Jacket when the control freak drill sergant overplayed his control and got himself killed. There's exactly one moment when R. Lee Eremey drops his facade and tries to defuse Vincent D'Onofrio, but when that doesn't work, he resorts to the drill sergant playbook and gets himself fragged for it.
Strega - Apr 25, 2008 10:59:55 pm PDT #5308 of 10000
I had to go dig this up because I read it a while ago. I don't agree with all of it, but I do think there's something to this analysis of The Shining:
The Shining is not really about the murders at the Overlook Hotel. It is about the murder of a race -- the race of Native Americans -- and the consequences of that murder.
If you are skeptical about this, consider the Calumet baking powder cans with their Indian chief logo that Kubrick placed carefully in the two food-locker scenes. (A calumet is a peace pipe.) Consider the Indian motifs that decorate the hotel, and the way they serve as background in many of the key scenes. Consider the insertion of two lines, early in the film, describing how the hotel was built on an Indian burial ground.
It's not my favorite of his, but I heart Kubrick in general.
Sean K - Apr 25, 2008 11:09:28 pm PDT #5309 of 10000
You can't leave me to my own devices; my devices are Nap and Eat. -Zenkitty
There's exactly one moment when R. Lee Eremey drops his facade and tries to defuse Vincent D'Onofrio, but when that doesn't work, he resorts to the drill sergant playbook and gets himself fragged for it.
I know exactly the moment you speak of, Frank. I can replay the scene in my head with ease. 'Tis burned into my brain.
Shining is not my favorite of Kubrick's either, but I have a fondness for it. I've never read the novel, so I have nothing to compare it to, save other Kubrick films.
Which, you know, works in its own way.
§ ita § - Apr 26, 2008 1:47:42 am PDT #5310 of 10000
Well not canonically, no, but this is transformative fiction.
I heart Kubrick in general.
It's funny--my extreme love of A Clockwork Orange left me thinking I loved Kubrick, but on looking at his cv I am always reminded I'm untouched by most of the rest of what I've seen. I have not seen Spartacus, and consider doing so, but I'm not sure which way it will tip my affection.
Nutty - Apr 26, 2008 3:40:21 am PDT #5311 of 10000
"Mister Spock is on his fanny, sir. Reports heavy damage."
It is about the murder of a race -- the race of Native Americans -- and the consequences of that murder.
Really? That needed to be a jillion times more obvious.