I think that in Lady in the Lake, Montgomery looks into a mirror at some point early on, so you do see him briefly.
You don't ever see David Carradine's face during the Kill Bill Vol. 1, though you do see his hands. Same with Blofeld in From Russia With Love and Thunderball.
In the Mood for Love - you hear the voices of the cheating spouses, but you never see them.
In the Mood for Love - you hear the voices of the cheating spouses, but you never see them.
Ooh, good one. Bonus points for Tony Leung.
In the Mood for Love - you hear the voices of the cheating spouses, but you never see them.
Don't you see their bodies though? Just not their faces?
I doubt college students would know Dark Passage, and it doesn't quite qualify, but it's a fine Bogie and Bacall effort. The first hour is from the main character's POV. He then (if I remember the plot) has plastic surgery and, when we see him, he's become Bogie.
Also contains a fine performance by Agnes Moorehead, a name some college students would know.
He then (if I remember the plot) has plastic surgery and, when we see him, he's become Bogie.
You remember correctly. It was part of the Bogie and Bacall boxed set (along with The Big Sleep, Key Largo and Too Have and Have Not)
Robert Montgomery directed and "starred" in the 1947 version of Raymond Chandler's "Lady in the Lake". The whole plot takes place from the lead character's POV, so you only see him when he's reflected in something.
Something tells me that's probably a tad obscure, though.
Fiona, I accuse you of skimming!
Plus: hi!