Not said in the movie. Which I didn't remember until I watched it again on, I think, AMC a few weeks ago.
Man, I know! The reference on The Venture Brothers took me forever to figure out, because I read the book when I was in high school, but I've seen the movie maybe six or seven times as an adult. Anyway, I was shooting for an obscure funny, but I don't think I connected.
Another example -- Lawrence of Arabia. You just can't get the vastness of the desert on a smaller screen.
I saw it at the Uptown. Enormous, wrap around screen...and I sat so close, I had to turn my head to see the action at the sides. It was AWE-SOME.
The drink sales during its run went up 300%. IJS. You came out feeling like you'd spent 3 months in the desert. One of the best movie going experiences. Evar.
I saw it at the Uptown. Enormous, wrap around screen...and I sat so close, I had to turn my head to see the action at the sides. It was AWE-SOME.
Was this yonks ago? 'Cause I saw it there when they had the reissue.
Hated 2001. Hated it a lot.
But - I'm not a Kubrick fan. I've other things to spend that much time on. Like watching paint dry and giving myself a tatoo.
I'm with Aimee. Like 100%. I tried to watch it on a date in college and I fell asleep.
I don't fall asleep on movies.
I have only seen a handful of Kubrick movies (and even that depends on if you think AI is Kubrick or not) - and the only one I like is The Shining. I couldn't finish Dr. Strangelove.
My favourite Kubrick is Paths of Glory. I liked Lolita and Spartacus as well. After that, I found I didn't have too much time for the guy.
Signed, Also couldn't get into Terrence Malick or Sam Peckinpah, and if that makes me an ignorant film fan, hey, I'm OK with that.
I love
A Clockwork Orange.
Definitely a top 20 movie of mine.
Strangelove
and
Lolita
were good enough, I guess. And 2001 warrants no further thought.
On the flip side, there are some movies that should only be seen on the TV. My strongest memory of Gladiator was not lush scenery or Oscar-winning costume design or actor Russell Crowe, it was being traumatized by Oliver Reed's zombie-like postmortem CGI face stretching across the screen in extreme close-up until it was like a dumptruck-sized ventriloquist dummy parroting his prerecorded dialogue down at me.
Ah, yes. Home widescreen is revealing some things that were previously held quite secret between a patient and their dermatologist.
I think a sign of a great movie is if it works well at both a theatre and at home. Because today's audiences are often not in the theatre when they watch things. By choice.