"Superbad" is also my favorite JB track, and it's a stunner. It took me near forever to realize that the bulk of the track is played by a three-piece, with horn accents and the bridge, but almost everything else is on Bootsy and Catfish time.
Speaking of Bootsy and Catfish, my favorite JB album is Love Power Peace, the only live document of that version of the band, and maybe the best live album ever recorded.
My favorite JB thing was his tendency to come up with extremely odd shout-outs during songs, and the way that his band was so attuned to this that they could incorporate it into the music. For instance, I used to have a video of a live show from the mid-70s where JB somehow made reciting the zodiac into the centerpiece of "Sex Machine." I mean, the music was blazing, the momentum so powerful that JB could walk offstage for a full minute or two to switch to jumpsuit no. 4, and when he came back, he'd start this zodiac nonsense to a perfectly cued band: "Aries!" (horns: BLAT!) "TAURUS!" (horns: BLAAAAT!) "LEEEEEEOOOOO!" (horns: WAAAAABLAT!) SAGI-(music: stops on a dime) (pause pause pause) -TAAAAAAAAARIUS! (crazy sax solo). And this went on, and even though that tape is lost now, in my memory, it is still on of the most exciting things I ever saw.
Anyway, if I wasn't away from the drives holding my music collection back in Austin, I'd upload "Santa Claus, Go Straight To The Ghetto" for y'all. Merry Christmas, babies, sure do treat me nice.